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History --- History of Antwerp --- trade [function] --- history [discipline] --- History of the Low Countries --- Economic relations. Trade --- merchants --- anno 1700-1799 --- anno 1600-1699 --- Antwerp --- Retail trade --- 338 <09> <493> --- 911.375 <09> <493 ANTWERPEN> --- Economische geschiedenis--België --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van ...--België--ANTWERPEN --- 338 <09> <493> Economische geschiedenis--België --- Retail industry --- Retailing --- Commerce --- Marketing --- Shopping centers --- Wholesale trade --- Small business --- Belgium --- Antwerp (Belgium) --- Economic history --- 1600-1750 --- Economic conditions. --- Retail trade - Belgium - Antwerp - History - 17th century --- Retail trade - Belgium - Antwerp - History - 18th century --- trade [general function] --- economische geschiedenis
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Isaacz, Pieter --- diplomacy --- Denmark --- Art dealers --- -Painters --- -Artists --- Dealers (Retail trade) --- Biography --- Isaacsz, Pieter --- -Biography --- Painters --- Isaacsz, Pieter, --- Isaach, Petrus, --- Isaachsen, Pieter, --- Isacs, Pieter, --- Isaksen, Pieter, --- Painting [Dutch ] --- 16th century --- 17th century --- Kings and rulers --- History --- Diplomats
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The animateur d'art and his multiples roles. Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries00This book gathers new studies, which enlighten the role of the animateur d'art in the development of the arts. The animateur d'art actively participates in the defense of the arts and in the stimulation of the artistic creation in a certain period. He is a key figure positioning himself as a mediator between the different art worlds as well as between the different agents of the cultural environment. His work also consists in building bridges between the artists and his own cultural environment in order to ease the reception of the works and to promote art movements. The authors who contributed to this publication offer a first portrait of this cultural actor who influenced the art scenes from the 19th century to the present.
Art dealers. --- Art critics. --- Art collectors --- Dealers (Retail trade) --- Collectors and collecting. --- Art critics --- Art publishing --- Art --- Critics --- anno 1800-1999 --- Marchands d'oeuvres d'art --- Collectionneurs et collections --- History --- Art dealers --- Collectors and collecting
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European mediaeval economic history. --- Markets --- Retail trade --- Shopping --- History. --- Europe --- Commerce --- 339 <09> --- 911.375 <09> --- Buyers' guides --- Shoppers' guides --- Purchasing --- Consumer education --- Personal shoppers --- Retail industry --- Retailing --- Marketing --- Shopping centers --- Wholesale trade --- Public markets --- Fairs --- Market towns --- 339 <09> Handelsgeschiedenis --- Handelsgeschiedenis --- History --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van .. --- History of Europe --- anno 500-1499 --- anno 1500-1799 --- anno 1800-1899 --- Economic history --- Histoire économique --- Histoire --- Economic conditions. --- Conditions économiques --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van . --- Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van --- Retail trade - Europe - History --- Markets - Europe - History --- Shopping - Europe - History --- Europe - Commerce - History
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Shopping was as important in the Renaissance as it is today. This fascinating and original book breaks new ground in the area of Renaissance material culture, focusing on the marketplace and such related topics as middle-class to courtly consumption, the provision of foodstuffs, and the acquisition of antiquities and holy relics. The book investigates how men and women of different social classes went to the streets, squares, and shops to buy goods they needed and wanted on a daily& or a once-in-a-lifetime& basis, during the Renaissance period. Evelyn Welch draws on wide-ranging sources to expose the fears, anxieties, and social possibilities of the Renaissance marketplace and to show the impact of these attitudes on developing urban spaces. She considers transient forms of sales such as fairs, auctions, and lotteries as well as consumers themselves. Finally, she explores antiquities and indulgences, both of which posed dramatic challenges to contemporary notions of market value and to the concept of commodification itself.
History of Italy --- anno 1400-1499 --- anno 1500-1599 --- Consumers --- Shopping --- History --- 339 <09> <45> --- Handelsgeschiedenis--Italië --- 339 <09> <45> Handelsgeschiedenis--Italië --- Buyers' guides --- Shoppers' guides --- Purchasing --- Retail trade --- Consumer education --- Personal shoppers --- Customers (Consumers) --- Shoppers --- Persons --- Italy --- To 1500 --- 16th century --- cultuurgeschiedenis
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"This volume employs a diverse methodological range to explore the commercial milieu of art sales and collecting around the years 1780-1820, when London became the primary hub of international art sales"--Provided by publisher.
Art --- Art auctions --- Art dealers --- Economic aspects --- History --- Collectors and collecting --- Economics --- auctions --- art market --- Art: persons --- anno 1800-1999 --- anno 1700-1799 --- London --- Europe --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Dealers (Retail trade) --- Auctions --- Art, Primitive --- auctions [sales events]
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Gotzkowski, Johann Ernest --- Art dealers --- Art patronage --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Dealers (Retail trade) --- Collectors and collecting --- Gotzkowsky, Johann Ernst, --- Gotzkowski, Johann Ernst, --- Art, Primitive --- collecting, Germany
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Este libro analiza el complejo panorama del mercado de arte entre Flandes y Castilla en tiempos de Isabel I de Castilla. La investigación se articula en torno a tres vectores principales: demanda, oferta y mercado. En el primero, se analizan los condicionantes económicos, sociales, culturales y jurídicos que propiciaron el boom del comercio artístico en una de las épocas más prósperas de la historia económica castellana. En el epicentro del estudio situamos a los mercaderes, cuyo papel fue indispensable en una múltiple vertiente: siendo intermediarios de los clientes finales de obra foránea, actuando como introductores de tendencias, o convirtiéndose en consumidores de las propias piezas artísticas que transportaban. Su análisis ha permitido llegar a importantes conclusiones y abogamos por nuevas investigaciones en este campo. Por último, ponemos en valor aspectos poco estudiados en la Historia del Arte, tales como el papel de las ferias castellanas, la gestión de las tiendas de venta al por menor o el transporte y manipulación de las propias obras traídas desde Flandes a Castilla.
Economic relations. Trade --- Art --- art market --- anno 1400-1499 --- Spain --- Flanders --- Art dealers --- Art, Flemish --- Economic aspects --- Marketing. --- Dealers (Retail trade) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- History --- Marketing --- Flemish art --- art dealers --- Art, Primitive
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Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.
Painting --- History of Antwerp --- collectors --- art market --- Economic relations. Trade --- easel paintings [paintings by form] --- Forchondt, Guillaume --- anno 1600-1699 --- Art dealers --- History --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Dealers (Retail trade) --- Marketing --- Collectors and collecting --- Forchondt, Guilliam, --- Forchondt, Gilliam, --- Forchondt, Guillam, --- Forchoudt, Guillermo, --- Forchoudt, Willem, --- Art dealers - Belgium - Antwerp - History - 17th century. --- Painting - Marketing - History - 17th century. --- Painting - Collectors and collecting - History - 17th century. --- Forchondt, Guilliam, - 1608-1678. --- collecting, Low countries
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"This is the first sourcebook to trace the emergence and evolution of art markets in the Western European economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art's inherent commercial dimension and show how artists, dealers, and collectors have interacted over time, from the city-states of Quattrocento Italy to the high-stakes markets of postmillennial New York and Beijing. This approach casts a startling new light on the traditional concerns of art history and aesthetics, revealing much that is provocative, profound, and occasionally even comic. This volume's unique historical perspective makes it appropriate for use in college courses and postgraduate and professional programs, as well as for professionals working in art-related environments such as museums, galleries, and auction houses."--Provided by publisher.
Art --- Artists --- Art dealers --- Dealers (Retail trade) --- Persons --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Marketing&delete& --- History. --- Economic aspects&delete& --- Collectors and collecting&delete& --- Economic relations. Trade --- marketing --- art market --- collecting --- collectors --- Europe --- Marketing&delete&&delete& --- History --- Economic aspects&delete&&delete& --- Collectors and collecting&delete&&delete& --- Marketing --- Economic aspects --- Collectors and collecting --- Art, Primitive
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