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Pieter Isaacsz (1569-1625): een Nederlandse schilder, kunsthandelaar en diplomaat aan het Deense hof
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ISBN: 9065501452 Year: 1997 Volume: 14 Publisher: Hilversum Verloren

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Animateur d'art : dealer, collector, critic, publisher ... The animateur d'art and his multiples roles. Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries
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ISBN: 9789077013076 9077013075 Year: 2015 Publisher: Brussel Koninklijke Musea voor Schone Kunsten

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The animateur d'art and his multiples roles. Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries00This book gathers new studies, which enlighten the role of the animateur d'art in the development of the arts. The animateur d'art actively participates in the defense of the arts and in the stimulation of the artistic creation in a certain period. He is a key figure positioning himself as a mediator between the different art worlds as well as between the different agents of the cultural environment. His work also consists in building bridges between the artists and his own cultural environment in order to ease the reception of the works and to promote art movements. The authors who contributed to this publication offer a first portrait of this cultural actor who influenced the art scenes from the 19th century to the present.

Buyers & sellers : retail circuits and practices in mediaeval and early modern Europe
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ISBN: 9782503515809 2503515800 Year: 2008 Volume: 9 Publisher: Turnhout : Brepols,

Shopping in the Renaissance : consumer cultures in Italy 1400-1600
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ISBN: 0300107528 Year: 2005

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Shopping was as important in the Renaissance as it is today. This fascinating and original book breaks new ground in the area of Renaissance material culture, focusing on the marketplace and such related topics as middle-class to courtly consumption, the provision of foodstuffs, and the acquisition of antiquities and holy relics. The book investigates how men and women of different social classes went to the streets, squares, and shops to buy goods they needed and wanted on a daily& or a once-in-a-lifetime& basis, during the Renaissance period. Evelyn Welch draws on wide-ranging sources to expose the fears, anxieties, and social possibilities of the Renaissance marketplace and to show the impact of these attitudes on developing urban spaces. She considers transient forms of sales such as fairs, auctions, and lotteries as well as consumers themselves. Finally, she explores antiquities and indulgences, both of which posed dramatic challenges to contemporary notions of market value and to the concept of commodification itself.


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London and the emergence of a European art market, 1780-1820
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ISBN: 9781606065952 1606065955 Year: 2019 Publisher: Los Angeles The Getty Research Institute

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"This volume employs a diverse methodological range to explore the commercial milieu of art sales and collecting around the years 1780-1820, when London became the primary hub of international art sales"--Provided by publisher.


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Johann Ernst Gotzkowsky : Kunstagent und Gemäldesammler im friderizianischen Berlin.
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ISBN: 9783050044378 Year: 2009 Publisher: Berlin Akademie-Verlag


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El mercado de arte entre Flandes y Castilla en tiempos de Isabel I (1474-1504)
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ISBN: 9788416242740 8416242747 Year: 2020 Publisher: Madrid La Ergástula

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Este libro analiza el complejo panorama del mercado de arte entre Flandes y Castilla en tiempos de Isabel I de Castilla. La investigación se articula en torno a tres vectores principales: demanda, oferta y mercado. En el primero, se analizan los condicionantes económicos, sociales, culturales y jurídicos que propiciaron el boom del comercio artístico en una de las épocas más prósperas de la historia económica castellana. En el epicentro del estudio situamos a los mercaderes, cuyo papel fue indispensable en una múltiple vertiente: siendo intermediarios de los clientes finales de obra foránea, actuando como introductores de tendencias, o convirtiéndose en consumidores de las propias piezas artísticas que transportaban. Su análisis ha permitido llegar a importantes conclusiones y abogamos por nuevas investigaciones en este campo. Por último, ponemos en valor aspectos poco estudiados en la Historia del Arte, tales como el papel de las ferias castellanas, la gestión de las tiendas de venta al por menor o el transporte y manipulación de las propias obras traídas desde Flandes a Castilla.


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Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade
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ISBN: 9789004319745 9789004334830 9004334831 9004319743 Year: 2016 Volume: 1 Publisher: Boston : Brill,

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Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.


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A history of the western art market : A sourcebook of writings on artists, dealers, and markets
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ISBN: 9780520290631 9780520290624 Year: 2017 Publisher: Oakland, California University of California Press

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"This is the first sourcebook to trace the emergence and evolution of art markets in the Western European economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art's inherent commercial dimension and show how artists, dealers, and collectors have interacted over time, from the city-states of Quattrocento Italy to the high-stakes markets of postmillennial New York and Beijing. This approach casts a startling new light on the traditional concerns of art history and aesthetics, revealing much that is provocative, profound, and occasionally even comic. This volume's unique historical perspective makes it appropriate for use in college courses and postgraduate and professional programs, as well as for professionals working in art-related environments such as museums, galleries, and auction houses."--Provided by publisher.

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